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Tag Archives: Shakespeare Press Museum
Electronic motor control
and my obsession with a 1935 bookbinding machine
This is the second part of my obsession story. To read the first part, please click here. And that’s where my odyssey began. Alternating current induction motors use the frequency of the line power (60 Hz in our case) to … Continue reading
Running the five-color
Pearl press postcard
Last year I began the restoration of an 1895 Pearl press, a treadle-powered letterpress that was donated to the Cal Poly Shakespeare Press Museum. That press was a rusty machine when we took delivery of it. I took it to … Continue reading
Reminiscences of a prepress guy
I am an old prepress guy. I owned one of the first PostScript service bureaus in the U.S. I was there at the beginning. It was painful, but overall it was a great business. We had been traditional typographers, and … Continue reading
Prince Bold made Neue
Every really cool font eventually comes out in a “neue” version. The most famous is Helvetica Neue, which was the modernized version of Helvetica, with its normalized weights and corrected curves and very subtle curve changes. Prince Bold is based … Continue reading
Posted in Art, New technology, Typography
Tagged Brian Lawler, Cal Poly, letter forms, letterpress, Raymond Prince, Shakespeare Press Museum, type design, wood type
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Printing on a 126-year-old press, and loving it!
I am engaged as a human printing engine this week (and next). The president of our university and his wife want a letterpress Christmas card this year, so have engaged the design and production forces at-hand to produce these cards. … Continue reading
You wanted kerning! You get kerning!
Last week I promised to write a blog about the next step in making my Lining Livermore typeface. I thought I was farther in the process than I was. Getting letters to fit adjacent to each other is a difficult … Continue reading
Drawing the lozenge for Lining Livermore
…continued from yesterday’s blog I’m probably never going to need the lozenge character in any typographic project I do. Nonetheless, it’s there, ready for me, whenever I choose to use it. That’s exciting. The lonely lozenge. I don’t know what … Continue reading
Typographical archaeology for Lining Livermore
Continued from yesterday’s blog… After I created the scan of my type proof, I opened it up in Adobe Photoshop and made some corrections (I rotated the G and the O), and I did some tonal clean-up to make the … Continue reading
Digging into history for a “new” digital type design
I am the faculty advisor of the Shakespeare Press Museum at Cal Poly. The museum is a working collection of type and printing presses that collectively represent the history of relief printing from 1850 to 1950. This is one of … Continue reading
Posted in History, Software, Typography
Tagged antique fonts, Antique type, Cal Poly, font design, Lining Livermore, Shakespeare Press Museum, typography
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Rewiring the Linotype machine
I’ve not blogged in quite a while, for which I apologize to my faithful readers. It wasn’t that I didn’t have anything going on. It was that I had writer’s blog. I couldn’t come up with anything to say about … Continue reading
Posted in History, Imposition and Pagination, Printing and Printing Processes, Typography
Tagged antique printing, Blognosticator, Brian Lawler, Cal Poly, letterpress, letterpress printing, linecasting, Linotype, Linotype machine, printing history, Shakespeare Press Museum, typographic history, typography
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