Category Archives: Photoshop techniques

Pushing the limits of repositioned panoramic photography (updated) (twice)

In several previous articles I have written about the process of repositioned panoramic photography. It works best when there is no perspective – strictly two-dimensional subject matter. With my experiences with street art (see the most recent article here), this works perfectly. … Continue reading

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Printing on the Landa Nanopress

Part II [Part I] In the fall, my Master’s degree students and I worked on a project to write and publish a book about street art and street artists in Munich. We chose to photograph the work of these artists … Continue reading

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It was a dark and stormy night…

Two of my students and I were searching for Daniel, one of the important people in a community of artists in Munich. I say he is “one of the important people,” but I cannot tell you his title, nor how … Continue reading

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A refined approach
to repositioned panoramas of Munich street art

Four years ago I was teaching in Munich, and during that time I photographed a number of pieces of street art on Tumblingerstraße in the city. You can read that story and its associated comments here. The photos were taken … Continue reading

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AppleScript solves my grid mask challenge in Adobe Photoshop

I pride myself on being a competent user of Adobe Photoshop. I know how to make my photos look good by sliding sliders and pushing buttons and applying filters and adding Layer Effects and all sorts of visual things. Occasionally I need … Continue reading

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Reminiscences of a prepress guy

I am an old prepress guy. I owned one of the first PostScript service bureaus in the U.S. I was there at the beginning. It was painful, but overall it was a great business. We had been traditional typographers, and … Continue reading

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The fascinating Laowa macro probe lens

I’m not sure how I learned about it. One day it showed up on my computer screen, and I jumped. Today it arrived on my front porch. It’s strange and curious and fascinating and some might say useless. I have … Continue reading

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My new Canon EOS R mirrorless camera
and a new world of high ISO shooting

I was excited when Canon and Nikon both announced their mirrorless pro (or semi-pro) cameras last fall. The time had come. Sony has been in the market for three generations now, and Canon had made a few attempts (EOS M, … Continue reading

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The case for using DNG as your primary file type

I have files created by a Kodak-branded, Canon digital camera from this century that can no longer be read. This is my second case of file obsolescence; the first being Kodak Photo CD files that cannot be read by any … Continue reading

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A pretty good argument for using ProPhoto RGB
as your working color space

Photographers discovered 20 years ago that sRGB is a really bad color space for professional photography. So we all changed to Adobe RGB 1998. The reasons for doing so are important: Adobe RGB has a larger overall gamut, and conversion … Continue reading

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