Category Archives: Color Management

Printing on the Landa Nanopress

Part II In the fall, my Master’s degree students and I worked on a project to write and publish a book about street art and street artists in Munich. We chose to photograph the work of these artists in one … Continue reading

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Working with the Landa Nanopress

Part I Last September I moved to Germany to teach for a year at Hochschule München in the print and media technology program. This is my second time teaching here. The program is very similar to the program at Cal … Continue reading

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A visit to FOGRA

A few days before Christmas I rode a subway to a regional train to another subway, then walked a bit to reach the headquarters of FOGRA, the Research Institute for Media Technologies in the town of Aschheim, just outside Munich. This for me … Continue reading

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It was a dark and stormy night…

Two of my students and I were searching for Daniel, one of the important people in a community of artists in Munich. I say he is “one of the important people,” but I cannot tell you his title, nor how … Continue reading

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An analysis of the Image P3 color space

About four years ago, Apple changed the color space of the iPhone from whatever it was (maybe sRGB?) to a new color space called Image P3. This is the color space used by flat panel TV screens. This was a … Continue reading

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Reminiscences of a prepress guy

I am an old prepress guy. I owned one of the first PostScript service bureaus in the U.S. I was there at the beginning. It was painful, but overall it was a great business. We had been traditional typographers, and … Continue reading

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My new Canon EOS R mirrorless camera
and a new world of high ISO shooting

I was excited when Canon and Nikon both announced their mirrorless pro (or semi-pro) cameras last fall. The time had come. Sony has been in the market for three generations now, and Canon had made a few attempts (EOS M, … Continue reading

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A pretty good argument for using ProPhoto RGB
as your working color space

Photographers discovered 20 years ago that sRGB is a really bad color space for professional photography. So we all changed to Adobe RGB 1998. The reasons for doing so are important: Adobe RGB has a larger overall gamut, and conversion … Continue reading

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Ink is a terrible thing to waste

I’m teaching this semester in Munich, Germany, at the Hochschule München, or more correctly, Hochschule für Angewandte Wissenschaften München. It’s just a few blocks from the city center on Tram route 20. We have about 20,000 students on several campuses. … Continue reading

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Calibrating the iPhone with i1 Display Pro

I see iPhones being used for all sorts of “professional” applications including video capture, and now that the phone sports a 12Mp camera, graphic arts quality photography. No excuses professional photography. Several years ago I was made aware of a … Continue reading

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