Tag Archives: type design

Lining Livermore, der zweite Teil

This is a continuation of a blog I wrote two days ago. To read the first part, click here. After I put all the letters (called “glyphs” In typography) into a master Adobe Illustrator document, I built the destination environment for the … Continue reading

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Drawing the Lining Livermore font

Deep in the recesses of the back room of the Shakespeare Press Museum at California Polytechnic State University is a cabinet. It contains about 20 drawers of hand-set metal type. We never use this type because it is difficult to … Continue reading

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Prince Bold made Neue

Every really cool font eventually comes out in a “neue” version. The most famous is Helvetica Neue, which was the modernized version of Helvetica, with its normalized weights and corrected curves and very subtle curve changes. Prince Bold is based … Continue reading

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You wanted kerning! You get kerning!

Last week I promised to write a blog about the next step in making my Lining Livermore typeface. I thought I was farther in the process than I was. Getting letters to fit adjacent to each other is a difficult … Continue reading

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Typographical archaeology for Lining Livermore

Continued from yesterday’s blog… After I created the scan of my type proof, I opened it up in Adobe Photoshop and made some corrections (I rotated the G and the O), and I did some tonal clean-up to make the … Continue reading

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