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Tag Archives: Lining Livermore
Drawing the Lining Livermore font
Deep in the recesses of the back room of the Shakespeare Press Museum at California Polytechnic State University is a cabinet. It contains about 20 drawers of hand-set metal type. We never use this type because it is difficult to … Continue reading
You wanted kerning! You get kerning!
Last week I promised to write a blog about the next step in making my Lining Livermore typeface. I thought I was farther in the process than I was. Getting letters to fit adjacent to each other is a difficult … Continue reading
Drawing the lozenge for Lining Livermore
…continued from yesterday’s blog I’m probably never going to need the lozenge character in any typographic project I do. Nonetheless, it’s there, ready for me, whenever I choose to use it. That’s exciting. The lonely lozenge. I don’t know what … Continue reading
Typographical archaeology for Lining Livermore
Continued from yesterday’s blog… After I created the scan of my type proof, I opened it up in Adobe Photoshop and made some corrections (I rotated the G and the O), and I did some tonal clean-up to make the … Continue reading
Digging into history for a “new” digital type design
I am the faculty advisor of the Shakespeare Press Museum at Cal Poly. The museum is a working collection of type and printing presses that collectively represent the history of relief printing from 1850 to 1950. This is one of … Continue reading
Posted in History, Software, Typography
Tagged antique fonts, Antique type, Cal Poly, font design, Lining Livermore, Shakespeare Press Museum, typography
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